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Do you want to improve your church’s media program, but don’t actually know the place to begin? Historic Building Conservation. New York: Simon and Schuster, Museum of Trendy Art. The group also maintains the DOCOMOMO Worldwide Register documenting signifi- cant examples of recent movement heritage and a listing of endangered websites and struc- tures.

Design and Know-how in Structure. In Durability of Constructing Materials and Components: Proceedings of the First Worldwide Conference, edited by Peter J. Sereda and Gerard G. Litvan, 218-30. In Twentieth- Century Building Supplies: Historical past and Conservation, edited by Thomas C. Jester, 136-forty one.arts and media

The phone on the eighteenth-century desk: How Brazilian modern architects conceived the preservation of historic city centers. In Corrosion of Steel in Concrete: Report of the Technical Committee 60-CSC, RILEM (the International Union of Testing and Research Laboratories for Materials and Structures), edited by Peter Schiessl, 56-sixty nine.arts and media

In Twentieth-Century Building Supplies: Historical past and Conservation, edited by Thomas C. Jester, 182-87. ICADS is an international alliance of artwork deco societies that works to promote the apprecia- tion and preservation of art deco works by educating the general public and through cooperation and mutual help.

In Architettura e materiali del Novecento: Conservazione, restauro, manutenzione: Atti del Convegno di studi, Bressanone thirteen-16 luglio 2004, edited by Guido Biscontin and Guido Driussi, 749-fifty six. In Construction and Fashion: Conserving Twentieth Century Buildings, edited by Michael Stratton, 103-42.arts and media

In Metallic‘98: Proceedings of the International Conference on Metals Conservation, Draguignan, Figanieres, France, 27-29 Could 1998, edited by William Mourey and Luc Robbiola, 286-ninety. In Architettura e materiali del Novecento: Conservazione, restauro, manutenzione: Atti del Convegno di studi, Bressanone thirteen-16 luglio 2004, edited by Guido Biscontin and Guido Driussi, 411-20.